: The piece uses a consistent p-a-m-i pattern (thumb, ring, middle, index) in 3/4 time.

: Simultaneously plays the melody on the high E string.

: Plays the bass note on the first beat of every measure.

: Pluck the B and G strings respectively to fill out the arpeggio.

: The top line (played by the 'a' or ring finger) is the most critical element. It should be phrased legato—smooth and connected—and played noticeably louder than the inner accompaniment notes.