Rifkin's Festival ›

Mort’s journey is not one of growth in the traditional sense, but of reckoning. His inability to find joy in "pedestrian amusements" or modern superhero spectacles has left him in a state of self-inflicted isolation. He is a man who "reads the same books, listens to the same music, and sees the same movies over and over again," essentially living in a museum of his own making. A Love Letter to Classic Cinema Rifkin's Festival is a Love Letter to Art Films

Mort Rifkin is a quintessential "Allen-esque" archetype: a New York Jewish intellectual who feels increasingly alienated by a world that has moved on from the European masters he idolizes. He accompanies his publicist wife, Sue (Gina Gershon), to the festival, only to watch her fall for a "hotshot" French director, Philippe (Louis Garrel), whom Mort views as a pretentious lightweight. Rifkin's Festival

The Cinematic Afterlife of Mort Rifkin: A Reflection on "Rifkin's Festival" Mort’s journey is not one of growth in