"The best work isn't the work that's perfect the first time, Maya," he said, his voice as warm as sawdust. "It’s the work that shows you didn't give up when it got tricky."
One afternoon, Maya tried to build a birdhouse. It was leaning dangerously to the left, and the roof was more of a suggestion than a covering. She handed it to Arthur, her face tight with worry. He didn't give the thumbs up immediately. Instead, he placed his thumb against a jagged corner, gently smoothing a splinter away.
Arthur’s thumbs were a map of his life—thick, weathered, and etched with the deep lines of decades spent in a woodshop. While the rest of his hands had grown a bit shaky with age, his thumbs remained remarkably strong, a pair of "mature thumbs" that still knew the exact pressure needed to test the edge of a chisel or the smoothness of a sanded oak board.
To his seven-year-old granddaughter, Maya, those thumbs were the ultimate judges of quality. Every Saturday, they would sit in the garage, Maya focused on her latest "invention"—usually a haphazard collection of popsicle sticks and wood glue. When she finished, she wouldn’t ask for a verbal review; she would simply hold it up and wait for the "Great Signal."
