: Neti was a primary influence on a generation of revivalist musicians, including Csaba Ökrös and Tcha Limberger , with the Toni family often providing the authentic rhythmic backing during these recording and teaching sessions.
: Their performances are preserved in the Folklore Database and recordings like the Final Hour (Új Pátria) series, which captured the authentic village sound before the traditional lifestyle vanished. Cultural Impact Fodor SГЎndor "Neti" - ifj. Toni Rudolf
: This formation, which included both Neti and the Toni family, became a vital source for the Hungarian Táncház (dance-house) movement. : Neti was a primary influence on a
The two were frequent collaborators in various ensembles, often joined by other family members like (bass). The two were frequent collaborators in various ensembles,
Their work bridged the gap between traditional village entertainment and the international stage. They performed at venues like Symphony Space in New York, bringing the specific "Neti" style—a mix of Hungarian, Romanian, and Gypsy musical strains—to a global audience. Today, competitions such as the require young musicians to specifically recall and perform the style of Fodor Sándor "Neti" to keep this heritage alive.
: Known as the "dean of Transylvanian fiddlers," Neti's style was characterized by nimble, melancholy phrasing and a vast repertoire of hajnali (dawn songs), csárdás , and szapora dances.
The musical partnership between and ifj. Toni Rudolf represents a cornerstone of the Kalotaszeg folk music tradition. Neti (1922–2004), a legendary Roma primás (lead violinist) from Baciu (Kisbács), and ifj. Toni Rudolf, a renowned brácsos (violist), together preserved the complex, polyphonic sound unique to the Transylvanian region. The Essence of Kalotaszeg Music