Though originally titled Evangelio '70 , the directors used biblical themes primarily to critique the Catholic Church's role in modern society.
It is often cited as a difficult watch for mainstream audiences but remains essential for students of 1960s counter-culture cinema. Amore e rabbia (1969)
Directed by Jean-Luc Godard , this segment explores the impossibility of communication and love in a world dictated by ideology and political conflict, featuring two lovers on a rooftop. Though originally titled Evangelio '70 , the directors
It stands as a rare time-capsule where the "Big Three" of Italian cinema (Pasolini, Bertolucci, Bellocchio) worked alongside the leader of the French New Wave (Godard). It stands as a rare time-capsule where the
Directed by Bernardo Bertolucci , this surrealist piece depicts the dying moments of an old man surrounded by figures who represent different facets of his life and society, blending dreamlike imagery with existential dread.
Amore e rabbia (1969), translated as Love and Anger, is a landmark anthology film that captures the turbulent political and artistic spirit of the late 1960s. It features five segments directed by some of the most influential figures in European cinema, originally conceived as a commentary on the "Gospel" but evolved into a critique of contemporary morality, violence, and revolution. The Directors and Segments